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Final Edit

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Final Edit: https://youtu.be/xE0J4p3XgAo Process: The link above is the final edited version of the radio programme. Just as mentioned in the edit log, the programme only contained suitable recordings and was structured as planned. Prior to creating the final edit, I first created an offline edit. This allowed me to piece together the show and give a brief idea of how it would flow and come together. To do this, I used the script as a guide. I organised it in this way: Introduction Song 1 (Bad Habit) Introduction to 'Into the Archives' Song 2 (Seventeen Going Under) Introduction to ad break Advert (Ring doorbell) Welcoming listeners back and introducing callers section Phone call 1 Phone call 2 Ending call section Song 3 (Running Up That Hill) Interaction with listeners from reading song suggestion text Song 4 (Somebody's Watching Me) Ending the show To make the editing process easier and more organised, I first labelled each of the tracks on the multitrack project. Doing t...

M1: Analyse the structure and content of a programme

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  M1: Chosen radio station: BBC Radio 2 - The Zoe ball Breakfast Show The Zoe Ball Breakfast Show - When Bono Met Ball - BBC Sounds Structure To understand the structure of a radio program, I chose to focus on the Zoe Ball Breakfast Show on BBC Radio 2 as an example to assess the structure, timings and content of the program. This is one of many examples of radio programs. In total, this radio program lasts for 41 minutes and 23 seconds. This program was not pre-recorded, it was broadcasted live by BBC radio 2 and was recorded for people to listen to after the broadcast. However, on the BBC website, it states that it is only available to listen to for 26 days, meaning that it is scheduled to expire soon. The first segment of the radio program was the introduction: the radio station and program was announced along with the names of the presenters and guests. The first segment was an interview with a celebrity that lasted for 6 minutes and 13 seconds until the first song played. The ...

D2: Evaluating the flow of the programme

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Evaluating the flow of Hit and Run Radio Codes and Conventions The codes and conventions for a radio program include following a specific format and structure, adhering to broadcast standards and regulations, using appropriate language and tone, incorporating music and sound effects, and engaging the audience through interesting and relevant content. For "Hit and Run Radio," I followed these codes and conventions to create a captivating and compelling show. The true crime stories were researched thoroughly, and presented in a way that respects the privacy of victims and their families while still providing a thorough account of the events. The use of music was carefully chosen to enhance the tone and atmosphere of the program, while the jingles were created to sound mysterious and creepy to add to the show's overall theme. The show would also adhere to broadcast regulations, such as not using offensive language, and ensuring the safety and well-being of guests and hosts. ...

D1: How Codes and Conventions Have Been Met

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Codes and Conventions Explained The codes and conventions of the true crime radio genre are embedded in your radio show in the following ways: Music: In true crime radio shows, music is used to enhance the suspense and tension of the stories being told. The use of suspenseful backing tracks in your radio show aligns with this convention, as it helps to create an eerie and mysterious atmosphere for the audience. The music chosen should complement the content of the show, and be used to heighten the drama and emotion of the story being told. Script: The script for the presenters, which starts with an introduction, covers a real-life true crime story, and includes call-ins from listeners, aligns with the format of true crime radio programmes that aim to educate and engage the audience. Advertisements: The inclusion of a ring doorbell ad is in line with the conventions of radio advertising, which often includes product placements and sponsorships to support the production of the radio prog...

M3: Legal and Ethical

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Legal and Ethical Issues There are several legal and ethical issues that need to be considered when creating a UK radio programme, such as: Copyright: You need to obtain permission to play any music, sound effects, or use any other copyrighted material on your radio programme. Defamation: You need to avoid making false, damaging statements about individuals or companies that could harm their reputation. Privacy: You need to respect the privacy of individuals and avoid airing any private information without their consent. Obscenity: You need to avoid airing any material that is obscene, offensive, or incites violence or hatred. Electoral law: If you're broadcasting during an election, you need to be impartial and avoid giving any undue advantage to any particular political party. To prevent these legal and ethical issues from arising, I can take the following steps: Obtain proper licenses and permissions for any copyrighted material you plan to use. Fact-check any statements or clai...

P5: Extract of planned radio programme

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Offline edit: https://www.youtube.com/watch?v=4qK-yN_g7FE The offline edit for Hit & Run Radio was edited and split / cut on Adobe Audition and arranged accordingly in order. It was then imported into Premiere Pro to export as an MP4 and upload toYouTube. This edit was created to solely adjust and make sure that every segment of the radio programme is in the correct place. While doing this, we also ensured that the audio levels were fine and that we had no technical difficulties. If any issues were encountered, they were edited and fixed in Adobe Audition. Rushes: https://soundcloud.com/user-291998257/sets/hit-run-radio-show-rushes?si=ed71deba74614634bfaa609d6487c8b2&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing The link above contains all of the audio rushes and recordings made during the production process of the radio programme. This audio footage is unedited and raw, meaning that edits were needed to be made ready for the final edit. Because of ho...

D1: Codes and Conventions